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Aspect Ratio: 1.78:1 Audience Rating: NR (Not Rated) Binding: DVD Brand: Warner Brothers EAN: 9781419813504 Format: Closed-captioned, Color, DVD-Video, Subtitled, Widescreen, NTSC ISBN: 1419813501 Label: Warner Home Video Manufacturer: Warner Home Video Number Of Items: 1 Publisher: Warner Home Video Region Code: 1 Release Date: September 06, 2005 Running Time: 98 minutes Studio: Warner Home Video Theatrical Release Date: 2004 Sales Rank: 4895 MPN: WARD71429D
Description: Bullitt's dynamic editing, highlighted by its twisting, squealing, hill-leaping chase sequence that leaves viewers whooping and woozy, earned a 1968 Best Film Editing Oscar and helped make the film an action classic. How do film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing," says Zach Staenberg, Academy Award-winning* editor of the Matrix trilogy. Closeups, flashbacks, parallel action, slow motion, juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction, The Battleship Potemkin to Gladiator indelible. Narrated by Kathy Bates and with interviews of a who's who of contemporary directors and editors, The Cutting Edge: The Magic of Movie Editing is, shot for shot and frame after frame, reel magic.
Amazon.com: "Editing is what makes film a film." That audacious statement is made at the beginning of this 2005 documentary about the art of film editing. After listening to many editors and directors, movie novices as well as cinephiles may agree. Kathy Bates narrates this whirlwind history of the art punctuated by dozens of scenes to illustrate the effect of film editing in heightening reality and making a visceral impact on the filmgoer. In fact, the profession seems to be run on "a gut feeling" whether it's clipping a few frames, or 20 minutes of the final act (which we learn happened with Lenny). James Cameron illustrates the importance of a frame as we see a scene from Terminator 2 with 1 frame out 24 missing (24 frames representing one second of film). Or as Quentin Tarantino states, "musicians have notes, editors have frames." It's fascinating to see how editing--the process of assembling the film after it's been shot--can save films, make performances better, and become the ultimate jigsaw puzzle. The last concept is demonstrated as we return time and again to the most well-known editor of the time, Walter Murch (Apocalypse Now, The English Patient), as he edits a few scenes from Cold Mountain in front of us. We see how he works with light, covers mistakes, and controls emotion. For those who wished for a sequel to the excellent documentary on cinematographers, Visions of Light (1993), here's the next step (although made by different folks including first-time director Wendy Apple). Now, anyone want to tackle art directors? --Doug Thomas
Customer Reviews
Average Rating:
Rating: - An Eye Opener
The name says it all. All of movie making is a kind of magic produced by very hard work. Editing is sometimes overlooked when people see and talk about films -- unfairly so. This DVD gives valuable ... Read More
Rating: - A Motion Picture Editors Delight
This is an Excellent review of film editing, it's history, techniques and a few of the main contributors in the industry over the years. If you love the art & craft of film / video editing, you'll ... Read More
Rating: - A good way to learn the craft
This film is a great way to see much of the work that goes into the editing side of movie making. From looking at what happens when bad edits are made to seeing Jim Cameron show what would happen if he ... Read More
Rating: - Excellent
I first saw this video in class. It is an excellent video for those who are interested in being in the film industry. I liked it so much I had to buy it to add to our collection at home.
Rating: - very good teaching aid
The DVD is very good teaching material. It presents the evolution of editing with relevant examples. I recommend it without hesitation for anyone who wants to get familiar with the basics of editing.